Interview With Jeff McComsey

29 Apr Fubar_Cover-TDDF

It’s inevitable. The moment that anyone creates a zombie themed project on television, film or in comics, people start bringing up just how over saturated the zombie apocalypse market is. However, as the recent success of The Walking Dead on AMC and Machinima’s Bite Me web series show, there is still life in this genere. Jeff McComsey’s FUBAR series is another addition to zombie comics that any hardcore Romero fan can appreciate.With a mix of World War II history and zombie armies, FUBAR is a unique and compelling look at the undead and the soliders fighting them. McComsey’s anthology FUBAR: Empire of The Rising Dead recently won an IGN people’s choice award for best comic anthology and was featured on The New York Time bestseller list in January. FUBAR is zombie comics at their best, and incredibly, McComsey has published every edition of FUBAR independently.

I spoke with McComsey about being a successful independent publisher, the free comic business model and creating more than just a comic about zombies. To check out FUBAR: The Devil’s Dance Floor, download it here as part of Free Comic Book Day.

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Interview With Queenie Chan

16 Apr Queen_Chan_Opera

Chinese born Australian Queenie Chan is a manga producing machine.  I had the opportunity to question her about her creative process, what it’s like working with editors, and the indie manga scene.  You can check out some of her work at her website here.  Go out and purchase “House of Odd” her latest work and collaboration with Dean Koontz, and keep an eye out for a prose-comic hybrid comic “Small Shen” she is doing with Kylie Chan, due at the end of 2012 Thank you again to Queenie Chan for being a pleasure to interview!

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Shi Long Pang By Ben Costa

10 Apr

I stumbled upon Shi Long Pang after I saw that Mouse Guard creator, David Petersen recommended it on his blog. I spent the next few hours getting caught up on Shi Long Pang and I can tell you that this is a comic worth checking out. Let me first say that, Shi Long Pang is heavy on dialogue and narrative, which is so difficult to find in modern webcomics. This comic tells the story of wandering Shaolin monk and takes place in 17th century China. Ben Costa has attempted to portray the time period as accurately as possible. Everything that is done in Shi Long Pang is grounded in historical accuracy and reality. Even though that may not seem like the most enticing pitch for a comic, the dedication that Costa has put into character development and world building is outstanding.Check this comic out, it’s free and a testament to the craft of webcomics.

You can read Shi Long Pang here.

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Interview With Shane-Michael Vidaurri

8 Apr IRon

While browsing through Archaia’s upcoming Summer titles, I came across a preview image of a rabbit against a grey wintery background. The clearly hand done classic rough lines and subtle blue and grey wash stuck with me.I have a soft spot for comics that approach art as more than a means to accompany a story, but also as a way to tell a story. I found out that the book that contained the art that spoke to me in this way, was Shane-Michael Vidaurri’s, Iron: Or, The War After.

Shane-Michael Vidaurri is an illustrator currently working out of New Jersey. His book Iron: Or The War After is scheduled to be released in the Summer according to Archaia. I spoke with Vidaurri about what it feels like to be published by the likes of Archaia for the first time and the inspiration behind Iron: Or, The War After.

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Skuds McKinley Talks “I’ll Take You To The Moon And Leave You There”

4 Apr

As I am sure any of our readers know, here are Panel Bound, we are dedicated to promoting the independent comic community. As independent writers and artists, we know the dedication that printing a self published comic takes. The majority of indie creators I speak with, are doing it purely out of a love for comics. It’s not about money, and it’s not about fame, independent comic creators do it to tell a story beyond the boundaries of mainstream publishing.

One of my favorite indie creators that I spoke with in 2011 was Skuds McKinley. Skuds is the writer and artist behind, I’ll Take You To The Moon and Leave You There, which is currently making rounds with distributors nation wide right now. I wanted to take some time to recommend this book to anyone looking to support the indie community. The last time we spoke with Skuds, I’ll Take You To The Moon and Leave You There was on it’s last leg of a successful Kickstarter campaign. I’ll let Skuds explain in his own words just what this books is all about.

I’ll Take You To The Moon and Leave You There is basically a bunch of small stories collected into one big nice book. Vol.1 collects all of my favorite stories from my first two years of doing comics. the book shows a huge progression in art and story telling techniques, tackles a multitude of different genres, and has a lil something for everyone in it.

I ordered a copy of Skud’s book a few months back and I can attest to the fact that this book does, in fact, tackle a ton of different generes. The first few stories in I’ll Take You To The Moon and Leave You There showcase an artist and writer wrapping his head around various comic techniques. From there on, the book is a study in drawing, sketching and inking reminiscent of Paul Pope and Charles Burns. Each story in this book is wrapped in the surreal that would inhabit out lives, if only we let it in.

I’ll Take You To The Moon and Leave You There feels like the graphic novel equivalent of musical improvisation. Each story varies in depth and length that are straight from the darkest corners of someones subconscious. Consider reading this book like listening to a jazz album or Calculating Infinity for our Dillinger Escape Plan fans (god I hope there are some out there).

I’ll Take You To The Moon and Leave You There is a 56 page long graphic novel that you can order from Skuds at his site BatShitArt.com. You can also head to his site to read every story in the book free of charge, but while your there pick a copy and support the indie comic scene. Any shops interested in I’ll Take You To The Moon and Leave You There can contact the books distributor Tony Shenton at Shenton4Sales [at] aol [dot] com.

Manga Recommendation: Kamisama Hajimemashita

29 Mar

It has been a while since I have brought you kind readers my latest favorite Shoujo manga, but today, you folks are in luck.  When I first discovered the beautiful piece of artwork that was Kamisama Hajimemashita [or Kamisama Kiss depending on where you're looking], I was flippantly browsing through the manga section of my local book store while waiting for Matt to finish work so we could go home and read comics and interview people and other things we comic people do. I picked up Kamisama Hajimemashita and started reading.  Three volumes later Matt showed up and informed me it was time to go but I merely hissed at him and backed farther into the corner hugging the 4th volume as though if it were to be removed from my grasp I would die instantly.

Don't you dare remove me from this corner!

 

Why is this manga so good you ask?

For multiple reasons.  Let’s do an overview of the story first.  Not only is it a creative new twist on a Shoujo that I had not seen in a long time, it was my first introduction to Japanese mythology. It is the story of a young homeless girl Nanami who, through a series of events, becomes the land goddess of a local shrine.  Tomoe, a fox yokai, is the guardian of the shrine and begrudgingly helps Nanami bring the shrine back to it’s former glory all while attending class and helping other gods.  This story seamlessly integrates the complex ideas of Japanese mythology into an easy to read and beautiful story.  It does take a minute to  get used to all of the new names, however once you get used to it, the read is easy.  Although it may seem like a lot of work, I would keep a list or Wikipedia handy to do a little research on what you are dealing with.  It opens up a whole new world of demons, monsters and deities that you can put in your list of information you really don’t need to know but can definitely impress others in the right circumstance.

I'm sure I would have read Inyuasha had he looked like this.

Now onto things like the artwork and the characters.  The artwork is wonderful in this.  It has a kind of whimsical organic quality fitting of a story that has the fantasy that Kamisama Hajimemashita has.  The characters are all complex with a good amount of comedy running through them.  You can feel for each and every one of the characters.  From the deep dark past of the committed but fiery Tomoe to the happy go lucky but equally hard working Nanami.

I ship this so hard it's unbelievable.

 

I highly recommend this manga.  Every time a new chapter is released and I finish it, I table flip all the things that could possibly be table flipped and sit in a corner just waiting for my email alert to let me know the next chapter has been released.

 

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Interview With Brandon Dayton

26 Mar green_monk_cover

We had the pleasure of interviewing the artist/writer of Green Monk, Brandon Dayton. Green Monk is a wonderfully crafted debut comic that was selected as one of the  YALSA’s Top Ten Great Graphic Novels for Teens. Brandon is also the brother of past Panel Bound guest Cameron Dayton, so it’s obvious, talent runs in the family.

We spoke with Brandon about planning comics, his background in animation and why every artist should take a good math class.

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Interview With David Petersen

21 Mar blackaxe4

David Petersen is the award winning creator of the Mouse Guard series out with Archaia Entertainment. In 2007 David won the Russ Manning Award For Most Promising Newcomer and since then has continued to revitalize the fantasy genere in comics. As both the writer and artist for Mouse Guard, David approaches creating comics from every possible direction. His ability to craft a world as dynamic as the one found in Mouse Guard, speaks to his ability as a writer. While the lush sequential art in Mouse Guard has given David recognition as one the best illustrators working in creator owned comics today.

I spoke with David about a variety of topics including, how he manages to keep track of individual characters personalities and what steps he takes to develop the mythology of Mouse Guard. The most recent issue of Mouse Guard The Black Axe (#4 of 6) hit shelves on March 14th, you can check out a preview at Archaia’s website.

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WonderCon 2012 Panel Bound Wrap Up

20 Mar 6a00d83451622e69e201543429084e970c-800wi

We are still catching our breath over here at Panel Bound after a long weekend at WonderCon 2012. While I spent most of my time at the convention covering movie panels for Geeks of Doom, staff writer Eastyn had her first comic convention experience on Sunday. We left the Archaia booth empty handed after hoping to find friends of the site and Archaia published creators, Royden Lepp and  Giannis Milonogiannis.

Some good news though, we ran into ultra-mega-cool dudes Shane and Chris Houghton. For those of you unfamiliar with the two brothers, you can check out our interview with them here. Shane and Chris are the writer and artist team of the Reed Gunther all-ages series out with  Image Comics. Chris also does covers for the Adventure Time comic out with Kaboom! (Boom studios imprint) and Shane writes the Peanuts comic also out with Kaboom! It is always a treat to talk with these guys, especially because  they are such down to earth creators.

While running through artist alley we ran into writer and creators, JD Arnold who makes the amazing BB Wolf and the Three LPs. JD was there with Tony Guaraldi-Brown, who is an incredibly talented artist who has worked on The Showdown and was selling some of his work at the convention.

We also came across a troubling message from Eric Powell that alerted us that we has missed his signing earlier in the day. However after flipping over the table and stomping about in frustration, we noticed that Powell would be signing at 4:00 P.M. Luckily we made it later that day and got some comics signed by The Goon creator.

Last but not least, we got to catch up with the always friendly Eric Shanower. Eric is the creator of several Oz books out with Marvel, including The Marvelous Land of Oz.

All in all, it was a great convention. Eastyn got a ton of photos with cosplayers that you can see over at our Twitter. Anyone else have any good con stories? We would love to hear them.

Interview With Matthew Wilson

14 Mar Thor

I could not have asked for a more impressive artist than Matthew Wilson for our first interview with a colorist. Matthew has worked with such publishing houses as Marvel, DC, Boom, and Dark Horse, just to name a few. He is currently working on titles like Wonder Woman and The Fearless as well as coloring covers for Ronger Langridges’ Snarked. I spoke with Matthew about capturing tone through color, working with artists expectations, and what inspires him as a colorist.

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