Review: Jason Walz’s CRAP SHOOT

First off, I would like to say that Mr. Walz has the patience of a saint.  Not only have I told him on multiple occasions that this would be published ASAP, I also gave him direct dates and totally just forgot.  So to you, Jason, thank you for putting up with little old me.

Now to the nitty gritty.  Jason Walz is the author and artist of a new comic by the name of Crap Shoot.  Two issues are currently out on his website, with an option to pay what you want option, as well as through Comixology.

The art style in this story is almost reminiscent of Charles Burns’ Black Hole, with a heavy contrast of black and white and definitely does not make the mistake of over working the smaller details.  What I thoroughly enjoyed regarding the connection between the story and the art, was the fact that it isn’t as grown up.  The faces and movement of the characters could easily translate into a Calvin and Hobbes-esque strip.

Screenshot 2013-11-12 08.27.12

It really is a cross between an actual graphic novel and a strip.  Short stories punctuated by longer narratives and small guest drawings and panels really bring a unique twist to the first issue.

Overall a charming read with some wonderful guest art, my favorite being the last piece by Trungles.  Jason Walz’s story telling is surprisingly innocent and light.  If you’re looking for something a little different and nothing too heavy to pick up and breeze through, this is it for you.  I genuinely enjoyed this read.  I’m even going to go back and purchase the second issue.

Screenshot 2013-11-12 08.25.23

Thank you again, Jason, for that unbelievably calm demeanor and a lovely read.

Interview With The Creators Of Indie Comic Rapture Burgers

A few months ago Matt and I made our way to an event that essentially worked as speed dating but for artists and writers of comics.  There we met Chris, Adam, and Mimi.  Chris and Adam were the creative minds behind the Rapture Burgers comic and were desperately looking for somebody to put a face to their characters and world.  After reviewing their first two issues, I had to interview them.  Thanks again to Chris, Adam and Mimi for dealing with my technical difficulties!

So all three if you met at the [Creators] Conference?  How was that experience for all of you?

Adam: Well Chris and I knew eachother before that, but yes, we met Mimi at the creator conference.

Chris: Right, we did meet there. Our goal, from the outset, was to find someone to replace my sister, who was our original artist. It was an interesting event, which is that is was basically speed dating for an artist.

Mimi, how did you enjoy the conference, as an artist?

Mimi: When I explain it to people I use the term “speed dating” as well.  I thought it was a really great experience.  I got to see a bunch of other artist and what was out there in addition to getting actual work.  It was an awesome way to well… get commissions.  I wouldn’t have met Chris and Adam with out it.

So, how did they go about asking you to be their artist? Did they have to woo you a bit?

Mimi: Not really.  Their project seemed fun and my art style was close enough to what they were looking for.

Adam: I did wink at her pretty suggestively. I don’t think that’s what did it, though.

Chris: We were talking about whether or not we wanted to go forward with things, because Mimi sketched out Camille on the spot, which was totally cool. I think my words were, “…If we can afford you.”

How did the money negotiations go?

Chris: I think money negotiations went pretty well. I offered what I thought was “right” basically on the spot.  We followed up with some emails and talk about schedule of pages per week. Typical stuff, I imagine.

Sounds like that the Creators thing worked out wonderfully for all three of you.  So you have two issues out, what are your long term plans for RB?

Chris: Really, when we started, it was planned to be a typical, weekly webcomic that had a punchline at the end of each page/strip, but over the years that it took to get anything actually produced, we evolved into a full-fleshed story that we wanted to pitch to publishers.

WHY is it no longer a weekly webcomic?

Mimi: I know Chris as a specific answer for this, because I’ve asked the same thing.

Chris: Well, like I said, it started that way. I suppose it veered away from being a 4-panel strip into full pages. Back then, it was less of a story and more of a general premise that was going to be exploited for laughs, then eventually get some kind of continuity.

Adam: A lot of the first chapter was original written in this webcomic format. A few jokes survived from that period.

Chris: But, as we continued to work with it and evolved, I guess I got the “I want to publish this” bug and really pushed for full pages and a continuing story.

How has it been working with each other for writing, and Mimi, How is it drawing something that is not your story/vision?

Adam: It’s pretty easy as far as colaborations go. We have complimenting strengths when it comes to storytelling. He has the big ideas and the clear vision, and I provide the specific words for them.

Chris: And also, he’s a much better techical writer than I am, and usually adds the funny to my jokes.

Mimi: These two are actually very liberating to work with as far as most commissioners go.

Why so?

Mimi: I mean, I can do almost anything I want with the background enviornment and character, and even add some sight gags.

Adam: Mimi has contributed quite a few of my favorite sight gags.

Mimi: They give me a script and then I can just have fun with it.  Of course some times there are a few issues, like some character’s hair needs to be different, or Camille looks a little too angry in this picture and I fix it.  I’m glad when I get those notes, because I want these pages to be what they want.

Chris: That’s actually one of the things we wanted/encourage. My sister wasn’t very uhh…obedient? Is that a good word? We’d call something out in the script and she’d just do whatever she wanted instead, and it was usually funny.

Adam: Ha ha ha. Obedient  is not a good word, and I hope she doesn’t read it.

Mimi: Hmm, this is to imply that I am.

You guys all recently met, and started working together, and it appears to be going well for everybody with a solid plan in the future.  What do you think is the most important factor to keep that positive feel good feeling going?

Adam: Company retreat, maybe? I’m thinking Disneyland. But for real, I love that we each have our ideas, and everyone gets an input into the comic. Our various senses of humor have gelled into a project I’m pretty proud of.

Chris: Yeah, I agree with Adam. I think we have good communication and rapport these days. I trust Mimi to meet the deadline or let me know if there’s going to be a delay, and we know what to expect from her art.

Mimi: I think just making sure we all understand what is going on and being communicative.  This is the best job ever.

[End Interview]

Interview With The Creators Of Indie Comic Rapture Burgers

A few months ago Matt and I made our way to an event that essentially worked as speed dating but for artists and writers of comics.  There we met Chris, Adam, and Mimi.  Chris and Adam were the creative minds behind the Rapture Burgers comic and were desperately looking for somebody to put a face to their characters and world.  After reviewing their first two issues, I had to interview them.  Thanks again to Chris, Adam and Mimi for dealing with my technical difficulties!

So all three if you met at the [Creators] Conference?  How was that experience for all of you?

Adam: Well Chris and I knew eachother before that, but yes, we met Mimi at the creator conference.

Chris: Right, we did meet there. Our goal, from the outset, was to find someone to replace my sister, who was our original artist. It was an interesting event, which is that is was basically speed dating for an artist.

Mimi, how did you enjoy the conference, as an artist?

Mimi: When I explain it to people I use the term “speed dating” as well.  I thought it was a really great experience.  I got to see a bunch of other artist and what was out there in addition to getting actual work.  It was an awesome way to well… get commissions.  I wouldn’t have met Chris and Adam with out it.

So, how did they go about asking you to be their artist? Did they have to woo you a bit?

Mimi: Not really.  Their project seemed fun and my art style was close enough to what they were looking for.

Adam: I did wink at her pretty suggestively. I don’t think that’s what did it, though.

Chris: We were talking about whether or not we wanted to go forward with things, because Mimi sketched out Camille on the spot, which was totally cool. I think my words were, “…If we can afford you.”

How did the money negotiations go?

Chris: I think money negotiations went pretty well. I offered what I thought was “right” basically on the spot.  We followed up with some emails and talk about schedule of pages per week. Typical stuff, I imagine.

Sounds like that the Creators thing worked out wonderfully for all three of you.  So you have two issues out, what are your long term plans for RB?

Chris: Really, when we started, it was planned to be a typical, weekly webcomic that had a punchline at the end of each page/strip, but over the years that it took to get anything actually produced, we evolved into a full-fleshed story that we wanted to pitch to publishers.

WHY is it no longer a weekly webcomic?

Mimi: I know Chris as a specific answer for this, because I’ve asked the same thing.

Chris: Well, like I said, it started that way. I suppose it veered away from being a 4-panel strip into full pages. Back then, it was less of a story and more of a general premise that was going to be exploited for laughs, then eventually get some kind of continuity.

Adam: A lot of the first chapter was original written in this webcomic format. A few jokes survived from that period.

Chris: But, as we continued to work with it and evolved, I guess I got the “I want to publish this” bug and really pushed for full pages and a continuing story.

How has it been working with each other for writing, and Mimi, How is it drawing something that is not your story/vision?

Adam: It’s pretty easy as far as colaborations go. We have complimenting strengths when it comes to storytelling. He has the big ideas and the clear vision, and I provide the specific words for them.

Chris: And also, he’s a much better techical writer than I am, and usually adds the funny to my jokes.

Mimi: These two are actually very liberating to work with as far as most commissioners go.

Why so?

Mimi: I mean, I can do almost anything I want with the background enviornment and character, and even add some sight gags.

Adam: Mimi has contributed quite a few of my favorite sight gags.

Mimi: They give me a script and then I can just have fun with it.  Of course some times there are a few issues, like some character’s hair needs to be different, or Camille looks a little too angry in this picture and I fix it.  I’m glad when I get those notes, because I want these pages to be what they want.

Chris: That’s actually one of the things we wanted/encourage. My sister wasn’t very uhh…obedient? Is that a good word? We’d call something out in the script and she’d just do whatever she wanted instead, and it was usually funny.

Adam: Ha ha ha. Obedient  is not a good word, and I hope she doesn’t read it.

Mimi: Hmm, this is to imply that I am.

You guys all recently met, and started working together, and it appears to be going well for everybody with a solid plan in the future.  What do you think is the most important factor to keep that positive feel good feeling going?

Adam: Company retreat, maybe? I’m thinking Disneyland. But for real, I love that we each have our ideas, and everyone gets an input into the comic. Our various senses of humor have gelled into a project I’m pretty proud of.

Chris: Yeah, I agree with Adam. I think we have good communication and rapport these days. I trust Mimi to meet the deadline or let me know if there’s going to be a delay, and we know what to expect from her art.

Mimi: I think just making sure we all understand what is going on and being communicative.  This is the best job ever.

Manga Monday: Claymore

Last week I promised multiple things.

1) That I would create the wondrous MANGA MONDAYS.

2) That I would post something for the men.

I have delivered on both of those promises today.  It is a great day for Panel Bound.

Today’s Manga pick is Claymore.

First of all, the name should tell you everything you need to know about how awesome this story is.  Anybody in any nerdy spectrum is well aware of what a claymore is:

Claymore is an action/horror shonen (male genre) manga created by Norihiro in 2001 and is still on going.  The entire story takes place in a world that is inhabited by humans and yoma.  Yoma are these terrifying monsters that feed off of the flesh of humans.  As pictured here:

How do they keep yoma from completely taking over the world via eating the guts of humans?  Simple.  The organization of half woman half yoma warriors named Claymores by the general public.  The story mostly follows Clare, the lowest ranked of the Claymores on her journey of revenge.

The story line gets more complicated than that, but it’s one of those mangas that if I say one thing it gives away part of the plot, and then it’s just not fun anymore.  The entire story is just thrill after cliff hanger after sexy women after gratuitous violence after more sexy women and cliff hangers and a dash more of gratuitous violence.

The art in it is superb.  It’s gory, terrifying and dark.  The story is a little bit harder to follow than most other mangas as there are a lot of strange names and corresponding numbers to follow, but as you get more into it, you start to figure out who is who and why they are important (usually because they kick ass in some kind of terrifying way).

Although the characters are all strong women, this is a male based manga.  One can generally tell the difference between the two because their eyes don’t get big, there is a lot of blood and a very big lack of male sex appeal and a huge emphasis on gorgeous women wearing skin tight uniforms with some armor and killing things with big swords.

I highly recommend this manga as well as the anime (which is on netflix instant view).  Everything about it is one big adrenalin rush that never seems to end.  You don’t get attached to characters, you don’t have to deal with any sappy love story, you get action, lore and blood.  Lots of yoma blood.

Purchase Claymore vol. 1 here: at Amazon.com

Until next Manga Monday (or until I have another interview)

-Eastyn

Panel Bound’s Manga Pick of the Week: Tramps Like Us

Tramps Like Us, written by Yayoi Ogawa, is a manga driven powerfully by the idea of what is considered to be an acceptable match between a Japanese man and woman.  Tramps Like Us is a josei manga.  If shoujo manga were the peppy cosplaying high school student, josei would be her single older chain smoking aunt who has a shoddy view on life at best.  It features Sumire Iwaya, a tall and beautiful business woman who is perceived as cold hearted by her colleagues.

She suffers from depression and anxiety after her fiance called off their wedding and a demotion at work.  Her fiance was threatened by her higher height, status and pay grade (the three highs that japanese women look for in a male partner) and left her for somebody more suited to his societal level.  This of course, bums Sumire out to no end.  I know this sounds like the happiest story in the world, but bare with me.

Now that you have the set up for the huge bummer that Sumire is in her life, let me set up the little bit that gives this manga what I like to call the ‘manga factor.’  That little twist in the plot that is just strange enough to work:

Sumire finds a young homeless man in a box outside her house.  He reminds her of a dog she used to have named, Momo.  She then agrees to let him live there as long as her pet.  She names him Momo.

I am going to let that sink in.  She is now keeping this young man as a pet.

Anyways, so that’s pretty much the set up of the story, as you can tell there will be issues that ensue, especially when she starts dating (NO SPOILERS FOR YOU!)

As for the technical sides, the artwork is wonderful.  The characters all have a strange sensual feeling to them that match the mood of the story quite well.  The clean lines and natural placement and movement of characters throughout the story really help you to forget what you are reading is drawn.

The storyline is what drew me in, however.  The plot seems like it is a bad porn set up, however the characters are all so deep.  Every single one of them is human.  There is no set bad guy or good guy, they just are well developed characters with pretty neutral morality just like us.  It’s easy to latch onto one character and identify with them, which will undoubtedly send you on a whirlwind of emotions throughout the manga (Sumire is my personal favorite as the heroine).

This is by no means a manga for the kids.  The subject matter is heavy (although it does have some humorous parts) and can get pretty steamy at times.  It’s a wonderful 14 volume series and comes highly recommended by yours truly.

Buy it Here!

Also, just to let you guys know, we are going to be making the manga recommends into MANGA MONDAYS!

So stay tuned to find out what new manga I have to recommend next!
Next week: Something for the men to really enjoy

-Eastyn